The glowing Museu d’Art Contemporani de Barcelona was designed by American architect Richard Meier and completed in 1995. The building almost overwhelms the collection: all the glassed-in space in front is devoted to ramps leading between the floors (you can’t help but think how the skateboarders outside in the square would love to have a go at them), and the art is crushed into second place at the back.
It is a vibrant and varied gathering, nonetheless; the core includes such lights as Tàpies, Calder, Dubuffet, Barceló, Klee, Oldenburg, Rauschenberg and Christian Boltanski – don’t miss the last-named’s sinister, bank-vault-like Réserve des Suisses Morts (1991).
Tàpies is represented by a number of pieces, among them Pintura Ocre (1959), a piece of ageing, crumbling wall, scraped away to show the canvas beneath. Joan Brossa has some delightful ‘poem-objects’ – one is a broom, leaning against a wall, a mundane domestic object until you see that the handle is made of a string of dominoes.
Images by Richard, Zarateman